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The FX30 has been released at almost half the price of the FX3. In fact, I think that the increase from 12M pixels on the FX3 to 26M pixels will lead to big changes in future developments. Oversampling is sharper and more beautiful than dot-by-dot, and digital zoom is also advantageous for electronic correction of focus breathing. The FX3 mark 2 may be 26M pixels with a new sensor that does not lose performance in dark places even with high pixel count. If you use the a7S make 4 as a camera, the 26M pixels will have a wider range of use and will increase demand.

Cinema Line + Vlog-style video-focused line

VENICE - FX6 - FX3 - FX30 - ZV-E10 - ZV-1

The following line has been created. Even so, the gap between the FX30 and ZV-E10 is large.

Here, it is expected that a higher-end model of the ZV-E10 using the same sensor as the FX30, in other words the ZV-E30 (tentative name), will be released. It's like a cost-cutting version of the FX30 with the removal of the air-cooling fan, cage-free body, and CFexpress/SD dual slot.

Naturally, a still-focused version with an added viewfinder, the a6700 (tentative name), will also be released.

Over the past six months or so, both Sony and Tamron have suddenly expanded their APS-C lens lineups, but perhaps this is in anticipation of this new sensor. With such an extensive lineup, it makes you wonder whether it was really necessary to get rid of all the APS-C lenses and switch to full-frame size.

On the other hand, the LUMIX GH6, which is popular among video creators, will likely struggle with its AF performance and lens lineup.